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Restrict yourself to a bunch of synths that you really want to LEARN and program. But not “hey we’re 30 years in the future” cool somehow?Īnyway… yeah. Where are the spiritual successors to Yamaha’s 1990s VL1 physical modelling synth? AAS stuff is cool. Included with your purchase of Syntorial is the Primer synth plugin, and all Lesson Packs, including the brand new Serum Lesson Pack, also to be released on. What’s even weirder is that it seems to be that’s where the money’s at. That includes UI, but I’m a romantic sucker for skeumorphic shit. What feels weird to me, looking at the current state of affairs, is that I may enjoy the little hardware emulations companies like Arturia and Cherry Audio (and PA) put out almost better than some of the large workhorse synths. I do have Xpand2! and honestly… for a tenner it is a ridiculously close emulation of the entire Roland JVxxxx universe. Can’t say that I have ever programmed one of those sample based synths for fun. Never spoke to me, other than in the most practical sense (“I need a shakuhachi like sound”, browse 500 patches, found it, play track). I get why it may have evolved like this (basically once you’re conceiving a softsynth you might as well just add wavetable scanning capable osc’s, as the rest of the architecture is basically just subtractive anyway) - but back in the day it was pretty marginal.įor a long period of time, when memory became sort of affordable, we had romplers. What has always amazed me and still does, is the advent of wavetable synthesis as sort of the most uniquitous “plain vanilla” type of architecture nowadays. First ever synthesis back in the mid eighties was Yammie FM, so that’s still kind of my go-to, but I do like subtractive and wavetable synthesis as well. I have learned my “chops” on many many hardware synths. I think has done or is still doing the Syntoriol courses.